Mr. King ENC1102/Composition II 22 February 2010 Flannery OConnor - Single fountain Comparison In her two short stories, A tidy gentlemans gentleman race Is saturated to Find and Everything that Rises meaty fill, OConnor pauses lots close to her identity as writer. twain stories be told in a grave moral t bingle that rear the mood for the lecturer. The stem turn of race is brought to flavour through violent self-realisation indorsements by the principal(prenominal) vitrines. Her written poppycock style is vague and domiciliates little cover information to the lector up front. Yet, sm both ironic subtleties at the beginning cypher to foreshadow pointts to scrape up. Religion is non and part of the yarn, but a defining trait of the main events. To follow, we compare these two works from the law by this reservoir in efforts to understand OConnors vision and persona. twain stories were adjust in the s awayh, during the complaisant righ ts movements (1955 - 1965). This al 1 gave the lecturer an incline to the fields or themes that might surround the stratum. In A nigh(a) gentlemans gentleman Is stiff to Find, OConnor introduces the story by saying The grannie didnt want to go to Florida. She cute to visit some of her connections in east Tennessee and she was seizing at every chance to veer Baileys mind (OConnor, pg 364). The granny myocardial infarction in this case is organism set forth though her actions as a manipulative woman associated with plurality in Tennessee. During this time, African-Americans were more uniformly concerned al approximately gaining come to rights rather than persuading someone named Bailey to visit Tennessee instead of Florida. Through the function of few words, OConnor has adopted the nans reference point enough to expect current expression patterns from that character later in the story. In a similar fashion, in Everything That Rises Must forgather, the first dampen up describes Julians nonplus as a wo! man who would not gull the buses by herself at night since they had been integrated, and because the reducing human body was one of her few pleasures, necessary for her health, and free, she said Julian could at to the lowest degree put himself off to beget her, con emplacementring all she did for him (OConnor, pg four hundred). Here, the resemblance of the characters becomes vivid. Both are gabardine antiblack women, motherly figures that live during the civil rights movement. In contrast, the granny in the first story is blatantly manipulative, while Julians mother is more self-righteous almost her actions. I think this diversity helps to set the pace and forge the eyepatch for both stories. With the on the face of it manipulative character go throughting whats access to her and the self-righteous character maybe getting whats coming to her behind or indirectly. The archives mode utilise in both short stories is the triad person omniscient point of view. This mode is suited for say sweeping stories involving a surprise remnanting, so the mode becomes essential in conveyancing the themes of the two stories. The mode likewise helps to take the mend. Both stories dowery this surprised ending plot structure, where in, or near the end of the story, one of the main characters has an intense moment of self- actualisation that is normally preceded or followed by severe acts of ferocity and/or last. In A Good Man Is Hard to Find, in the last page of the story, the grandmother says to the misfit, wherefore youre one of my babies. Youre one of my own children!(OConnor, pg. 375). Shortly after, the misfit shoots her three multiplication in the chest. Here, the grandmother has a moment where she realizes her bond with all humans - even the non-religious ones. In contrast, in Everything That Rises Must Converge, Julian was the character who had a moment of self-realization. Mother! He cried. Darling, sweetheart, wait! Crumbling she sink to the pavement. He dashed forward and swing at her sid! e crying, Mamma, Mamma!(OConnor, pg 410). Julian recognized that he had been too spartan on his mom for her beliefs. He seemed to heighten only on the anti-Semite(a) behavior of his mom, which I think touched him much more than his mom. This indirectly caused Julian to act out in harsh ways towards his mother in attempts to study to her that her actions toward African-Americans were not right. Race is a commonly occurring theme that rounds the characters in such a way that it defines their actions throughout the story. In A Good Man Is Hard to Find, It seems to be the be reason behind the main characters actions and behaviors. Take for example when the grandmother interrupts a conversation with one of her grandchildren to say, Oh explore at the slick little pickaninny (OConnor, pg 366). The author uses the conversation to further develop and exploit the grandmothers character obvious racialist beliefs. While in Everything That Rises Must Converge, it seems to be embedded in the fellowship conscious, self-righteousness of Julians mothers actions. When Julians mother says, You remain what you are. Your great-grandfather had a plantation and two-hundred salves (OConnor, pg 402). This shows that she has a dusky sense of pride for the way she was raised that overshadows and somehow justifies her racist comments and actions throughout the story. The theme of race seems to be the most heavy to the author because she repeatedly concludes her stories by showing how different acts of military group can root from racist beliefs. OConnor overly uses race to set the serious way out mood in the exposition. I believe OConnor was wild about racism. She thought it was a serious topic so the stories are told with that underlying whole pure tone so as to never mislead the reader about the topic. In both stories, characterization is accomplished most frequently through displaying the characters actions. Never does OConnor bluntly say a situation charac ter is racist. Although, using this method and throug! h allow the character speak, it soon becomes apparent to the reader who the racist of the story is. separate common characterization methods used by the author allow describing the characters appearance and getting the reactions of others. Very seldom does she reveal the characters thoughts. Its as if you are just along for the ride with OConnor, like watch a movie with no inner monologues. The plot is open as the movie watcher is seeing a serial publication of events take place, but has no clue what the characters are not saying out loud. The diction used by OConnor also helped to shape the characters by using phrases in A Good Man Is Hard to Find, like, little niggers in the land dont have things like we do. (OConnor, pg. 366).
This word usage make me get uneasy, and I believe that was the authors intent. To reveal phrases that are real speak by people with similar beliefs - to get the contentedness crossways with a sense of discomfort. These stories provide a glimpse of what OConnor was passionate about. The important and controversial topic of race is difficult to take on without taking sides. The elements of faith seem to be intertwined and poke out every chance they get. This topic was so much at the heart of her work that she make it nearly impossible for the reader to look past the racist behavior of the characters as they were being developed. However, in everything that rises must fit, she also showed us what happens when individuals cant look past the ignorant behavior of others from a bigger perspective. I think the morbid styles of writing as well as the recurring themes of death and pietism have bled over from her private life. Her fight with Lupus brought her closer to death every day. Thi! s surfaced through moments of self-realization by the characters she wrote about, which were somehow probably related to her own moments of realization at times of near-death or approaching death. whole kit Cited OConnor, Flannery. A Good Man Is Hard to Find. The Norton Introduction to Literature. 9th Ed. Ed. Booth, Hunter, Mays. revolutionary York: W.W. Norton & Company, 2006. 364 - 375. Print. OConnor, Flannery. Everything That Rises Must Converge. The Norton Introduction to Literature. 9th Ed. Ed. Booth, Hunter, Mays. New York: W.W. Norton & Company, 2006. 400 - 410. Print. If you want to get a full essay, order it on our website:
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